Smash Cut (2009) Review: When B-Movie Met Brute Force
- grimgasm

- Oct 9
- 2 min read
Few films embrace their low-budget, high-concept absurdity quite like Lee Gordon Demarbe's Smash Cut (2009). This film is a glorious, neon-drenched ode to the shlock-horror genre, fueled by gallons of arterial spray and an utterly unhinged premise. If you’re looking for subtlety, look elsewhere; if you’re looking for a cult classic that throws everything at the wall just to see what kind of bloody mess it makes, you’ve found your masterpiece.

The Plot: Art, Madness, and Dismemberment
The film centers on Able Whitman (played with manic energy by Michael Berryman), a B-movie director whose career is circling the drain. When his leading actress is accidentally killed, Able has a creative breakthrough: he discovers that using real human body parts as props gives his latest film, Gore Gore Gorgeous, an unparalleled authenticity.
What follows is Able's descent into a homicidal frenzy, as he hacks his way through society—including plenty of victims from the local strip club—in a frantic quest for the perfect "props." The narrative is straightforward, but the delivery is anything but, leaning heavily on rapid-fire jokes, intentionally cheesy acting, and a pervasive sense of dark satire aimed squarely at the excesses of the film industry.
B-Movie Charm and Theatrical Gore
Smash Cut shines precisely because it never takes itself seriously. The film operates at a breakneck pace, driven by a commitment to practical effects and truly spectacular, over-the-top gore. The death scenes are lovingly rendered, messy affairs that belong on a highlight reel of mid-2000s horror revivalism. This isn't just violence; it's theatrical violence, designed to elicit laughs and winces in equal measure.
A significant point of discussion around the film is the performance of Sasha Grey as April Carson, a journalist investigating the escalating murders. Though it was an early non-adult role, Grey holds her own against the seasoned eccentricity of Berryman, providing a much-needed straight-woman anchor to the chaos. Her presence adds a layer of genuine curiosity to a film that is otherwise pure cinematic chaos.
Verdict: A Glorious Grindhouse Gem
Smash Cut is a niche film for a niche audience. It’s a love letter to the era of cheap thrills and inventive horror concepts, delivering exactly what its title promises: abrupt, violent, and messy segments stitched together by a maniacal vision.
It’s the perfect movie to watch with a crowd that appreciates the technical skill required to make bad movies look so intentionally good. For fans of Troma, early Peter Jackson, and extreme horror-comedy, you definitely need to add this Smash Cut to your viewing queue.
Rating: 4/5 Skulls (A low-budget horror masterpiece, unashamedly grotesque.)






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